Three things: come visit me tomorrow; picture taking secrets; and a webcast
I just did an interview for The Good Life, Sirius 114. It was broadcast live, and will also be replayed later. Check the Sirius schedule for times.
Friday Morning:
I'll be speaking to kids, staff, and parents at the White Brook Middle school in Easthampton, MA tomorrow, from 8-1. The public is welcome. They are at 200 Park St in Easthampton. You can call guidance counselor Ann Marie at (413) 529-1530
I'll be revealing the true story of Santa, what it's like to be a misfit, and telling tales from my strange life. I will also answer questions from the audience, provided they are good worthwhile questions.
Admission is free but there may be an exit charge. It depends on audience behavior.
At noon today, I was on Dallas Public Radio, Think with Krys Boyd. You can find the webcast here:
http://www.kera.org/think/
You may have to look around as they are just doing the links now.
And now, the moment you have been waiting for. Secrets of photography. Today's secret is about perspective.
Folks today are accustomed to cameras with powerful zoom lenses, and it's easy to think that a photo taken with a zoom lens at 50 feet can the same as one taken at 5 feet. Well, it ain't so.
This first image is taken from the stands:
The problem with this shot is that everything mixes together. It's hard to make sense of the image. Can we fix it by zooming in? Here's another shot from the stands, zoomed in for a closeup:
That's actually not much better, because all the people (which our brain is programmed to pick out) are the same size. Now look at this last shot:
In this picture, the people stand out because of perspective. That's what you can't get with a zoom lens. With a zoom lens, the people are all the same size. By using a shorter lens, and getting close, we cause the players we're interested in to "pop out" in the scene. Interestingly, photo #3 is how most people think they saw the game. However, photo #1 is actually how they saw it.
This highlights the difference between actuality and perception in terms of what we see. Pictures that look "just the way I saw it" are usually quite different in perspective and composition from what was actually visible from the spectator seating.
A good rule of thumb when photographing events is that you can't get too close. Most of my best concert and performance shots were taken from very short distances. Here are some other examples.
This shot of Barry Goudreau, Boston's guitar, player was taken from a distance of about ten feet. I don't think that message could be delivered from greater range.
http://www.pbase.com/robisonphoto/image/88831655
Now look at this shot of John Sebastian of the Lovin Spoonful. It's a wide angle shot, not a close up, but the range and perspective gives it a certain intimacy:
http://www.pbase.com/robisonphoto/image/88831694
The lateral viewpoint gives it a "you were there" feel, even thought the audience never sees the show that way.
Finally, here's Journey's guitar player
http://www.pbase.com/robisonphoto/image/54998898
As you can see, there is no substitute for proximity. And that applies to animals, too. In this shot, note the position of the cage bars. You see I am inside, with the lions. And once again, people say "that's how I remember" even though I was in the ring, and they were 100 feet away safe behind bars:
http://www.pbase.com/robisonphoto/image/54873123
Friday Morning:
I'll be speaking to kids, staff, and parents at the White Brook Middle school in Easthampton, MA tomorrow, from 8-1. The public is welcome. They are at 200 Park St in Easthampton. You can call guidance counselor Ann Marie at (413) 529-1530
I'll be revealing the true story of Santa, what it's like to be a misfit, and telling tales from my strange life. I will also answer questions from the audience, provided they are good worthwhile questions.
Admission is free but there may be an exit charge. It depends on audience behavior.
At noon today, I was on Dallas Public Radio, Think with Krys Boyd. You can find the webcast here:
http://www.kera.org/think/
You may have to look around as they are just doing the links now.
And now, the moment you have been waiting for. Secrets of photography. Today's secret is about perspective.
Folks today are accustomed to cameras with powerful zoom lenses, and it's easy to think that a photo taken with a zoom lens at 50 feet can the same as one taken at 5 feet. Well, it ain't so.
This first image is taken from the stands:
The problem with this shot is that everything mixes together. It's hard to make sense of the image. Can we fix it by zooming in? Here's another shot from the stands, zoomed in for a closeup:
That's actually not much better, because all the people (which our brain is programmed to pick out) are the same size. Now look at this last shot:
In this picture, the people stand out because of perspective. That's what you can't get with a zoom lens. With a zoom lens, the people are all the same size. By using a shorter lens, and getting close, we cause the players we're interested in to "pop out" in the scene. Interestingly, photo #3 is how most people think they saw the game. However, photo #1 is actually how they saw it.
This highlights the difference between actuality and perception in terms of what we see. Pictures that look "just the way I saw it" are usually quite different in perspective and composition from what was actually visible from the spectator seating.
A good rule of thumb when photographing events is that you can't get too close. Most of my best concert and performance shots were taken from very short distances. Here are some other examples.
This shot of Barry Goudreau, Boston's guitar, player was taken from a distance of about ten feet. I don't think that message could be delivered from greater range.
http://www.pbase.com/robisonphoto/image/88831655
Now look at this shot of John Sebastian of the Lovin Spoonful. It's a wide angle shot, not a close up, but the range and perspective gives it a certain intimacy:
http://www.pbase.com/robisonphoto/image/88831694
The lateral viewpoint gives it a "you were there" feel, even thought the audience never sees the show that way.
Finally, here's Journey's guitar player
http://www.pbase.com/robisonphoto/image/54998898
As you can see, there is no substitute for proximity. And that applies to animals, too. In this shot, note the position of the cage bars. You see I am inside, with the lions. And once again, people say "that's how I remember" even though I was in the ring, and they were 100 feet away safe behind bars:
http://www.pbase.com/robisonphoto/image/54873123
Comments
Jim B
ps is 'nitpick' all one word...or should it be "nitpick"?
The fact is, I am becoming a more and more visible Aspergian figure. I need to know how people feel about that, and what it means. That means I have to listen to dissenting viewpoints as well as those who agree or support me.
Perspective is often overlooked or misunderstood and it's camera-independent
My son has one of them hanging in his bedroom! Remember that great photo you gave me in New York last April? You gave Pat and Kim each one as well and I "lent" mine to my son because he was so taken with it.
I understand you will be in Washington, DC for Billy the Kid on January 23rd and wonder if you might be willing/able to add something into your schedule. I'm on the board of the Model Asperger Program at Ivymount School http://www.ivymount.org/asperger.html and we would be so thrilled if you could either visit the school or do an evening talk/book event or whatever would suit your schedule. We would do everything we can to fit this as comfortably into your day as possible (pick you up wherever you'd like, etc.) Your book is very much talked about in our community and it would be a huge honor to meet you. We hope you might also be interested to meet our students, who are a really wonderful bunch, and see the work that we're doing at our school. We're very new (this is our second year) and we're very proud of our students and the work they (and we) are doing. Most of our students were having very difficult experiences in other settings before they reached this program. You can reach me at 202 686-0978 or by email at LGreenman@starpower.net. We'd love to host you and hope that if you don't have time for us when you're here later this month that perhaps we could find another time. Thank you so much for considering this invitation. I am the mother of a 12-year-old boy with Aspergers and I've appreciated so much what I learned from your book. Thank you again! -- Lisa Greenman
Thank you again.
P.S sorry bout my spelling i'm in 8th grade but i have the spelling ability of a four year old.
Looking forward to your take on the middle school talk.
That is a great age to be experiencing the likes of you.
Your presence will go a long way toward helping kids on the spectrum. Thank you for all you do.
I couldn't find a direct link to the radio interview either. I subscribed to the KERA podcast in iTunes and let it download yesterday's show. I'll unsubscribe later.
EDIT: I looked at their RSS feed and grabbed the URL for John's interview. Try http://podcastdownload.npr.org/anon.npr-podcasts/podcast/77/510036/17999806/KERA_17999806.mp3
http://podcastdownload.npr.org
/anon.npr-podcasts/podcast
/77/510036/17999806/KERA_17999806.mp3
i am reading your book now and really enjoying it.
happy weekend to you.
-Brittany and Abbey
( They may merge soon with XM?? anyhow , I believe that is . I do not have a radio that receives subscription to either .
Your book seems fascinating and so shall end up on my reading pile.
Nathalie